In the Ink Dark, Metal Peterborough

In the Ink Dark, Metal Peterborough

In the Ink Dark where the desert meets the sea, where the cloud drowns the forest, where the mountain meets the mist, I lay down…

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Fuel Theatre Jerwood Performing Arts Residency at Cove Park

Fuel Theatre Jerwood Performing Arts Residency at Cove Park

I am delighted to have been awarded a Jerwood Performing Arts residency, at Cove Park this June programmed by Fuel Theatre. In a new development for…

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The Long Time

The Long Time

The Long Time is a new area of work being developed in collaboration with Liz Atkin, Catherine Long and Kitty Fedorec  from Autumn 2013 We will be talking about our initial ideas…

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an invitation for a relcamation of community dance - rant.chat.eat - coffee moring

an invitation for a relcamation of community dance – rant.chat.eat – coffee moring

Following on from an earlier coffee morning hosted by Gillie Kleiman, I hosted a coffee morning that began by asking: whether the term  ‘Community Dance’…

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the end of E-Motional

the end of E-Motional

April marked the end of the E-Motional Bodies and Cities Artistic Research, Olga, Fearghus, Arianna, Madalina and I shared our emotional mapping process as part…

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International Artists Research

International Artists Research

In January 2013, Luke received Arts Council England’s International Artists Research funding to spend time in New York and Washington DC.  A Case Study and…

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Keep Walking - Limassol

Keep Walking – Limassol

All images: Pavlos Vrionides 2012

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E-motional Charob Factory Limassol

E-motional Charob Factory Limassol

all images in this series Suzana Phialas

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Frames and Fragments

Frames and Fragments

FRAMES AND FRAGMENTS from Dublin – E-Motional Bodies and Cities, first verse (?) – over ether, framing from Mary Wycherley this moment in Limmasol – second…

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retracing e-motional beginnings

retracing e-motional beginnings

five days until we fly again five months since we were held together two soaring punctuations one distinct exhalation alien, pinch, talk, here yes a…

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